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| Porn Users Forum » Haven't seen Titane yet, but waiting for it on DVD or cable. |
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| 07-18-21 09:31pm - 1379 days | Original Post - #1 | |
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LKLK (0)
Active User Posts: 1,583 Registered: Jun 26, '19 Location: CA |
Haven't seen Titane yet, but waiting for it on DVD or cable. The winner of the Palme d'Or this year sounds like a film the PU site should be promoting. Here's the plot: a serial killer impregnated by a car who disguises her gender and goes incognito as a lonely fireman’s long-lost son. I'm not sure how much time or visuals are spent on the woman gettig impregnated by a car, but the premise sounds intriguing. Is it the wires or the pistons that do the impregnating? How many orgasms does she have, and is this a love-hate relationship, between her and the car? And why does she turn into a son and a serial killer? Is it because society will not accept her for her true sexuality? Enquiring minds want to know: is she an anti-hero, or the next candidate to replace Jame Bond as the killer from MI6? ------ ------ Variety Jul 17, 2021 10:41am PT Wild ‘Titane’ Wins Palme d’Or in Upside-Down Cannes Film Festival Awards 'Titane' Tops the 2021 Cannes Film Carole Bethuel - Diaphana Distribution Spike Lee jumped the gun, announcing Palme d’Or winner “Titane” before the other prizes at the Cannes Film Festival awards. The unplanned goof could have robbed the awards of their usual suspense, but instead, created a thrillingly unpredictable energy as presenters and attendees alike tried to imagine how to get the train back on track and what the jury president might do next … while holding their breath for the festival’s second-ever female Palme d’Or winner to accept her prize. With “Titane,” French director Julia Ducournau (“Raw”) delivers a radical horror vision — a portrait of a serial killer impregnated by a car who disguises her gender and goes incognito as a lonely fireman’s long-lost son — sure to make waves as it rolls out in the wider world. Turns out, the run-of-show slip was the first of many surprises, which included two ties. When it came time for Ducournau to accept her prize, she described watching the Cannes awards each year as a child. ”At that time, I was sure that all the films awarded must have been perfect because they were on the stage. And tonight, I’m on that same stage, but I know my film is not perfect — but I think no film is perfect in the eyes of the person who made it. You could even say mine is monstrous.” | |
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